Romance »

Good news, Twilight fans. You have the first official news for the third Twilight installment, courtesy of our own Jen Yamato, FearNet and the New Moon junket.* The magically-coiffed Robert Pattinson has confirmed that Breaking Dawn will begin filming in Fall 2010, and that it's penciled into his schedule for next year.

Of course, Dawn remains unconfirmed by Summit. The most controversial installment of the Twilight series, rumors swirl that the studio is hesitant to take it to the big screen. If it is made, it seems likely that it could be split into two films a'la Harry Potter and the Deathly Hallows. Personally, I don't see Summit risking the money they'd make on #4, and they'll find a way to steer around the gorier aspects of the book. But now you know when to look for it, though you still have the madness of Eclipse pre-production to get through.

Pattinson also dished on the movie I want to mark on my calender (Sorry, I dig boots and spurs more than vampires), a Western called Unbound Captives. The directorial debut of Madeleine Stowe, it stars Hugh Jackman, Rachel Weisz, and Pattinson. The young heartthrob revealed that it's tenatively scheduled to begin shooting in early 2010, and he sounds enthusiastic for a role that'll be miles away from Edward Cullen. "I'm playing a kid who is kidnapped by Comanches when he was four years old, and he is brought up by them. His mother spends her entire life trying to find me and my sister. When she finds us, we can't remember who she is and can't remember anything about the Western culture she grew up in. I speak Comanche the whole movie. You can't really speak more differently from Edward."

[Special thanks also goes to Collider who apparently pried the Breaking Dawn date out of Mr. Pattinson]

Know what this trio of names has in common -- Tom Waits, Crystal Gayle, and Francis Ford Coppola? They collaborated on the music for Coppola's 1982 film One from the Heart. Waits was the creative mind behind the film's music, he performed a number of duets with the country singer, and he also earned an Academy Award nomination for his efforts.

However, that was about all the notoriety the film got. As Roger Ebert wrote in his review some 27 years ago: "This must be the first movie in history to arrive with more publicity about its production techniques than about its stars," describing the film as "a major disappointment." Heart focused on two people in love (Teri Garr and Frederic Forrest) who get swept away by the throes of passion with Raul Julia and Nastassja Kinski. But rather than simply tell the story, it was an art piece for Coppola, using creative filming techniques and a carefully plotted score that interacted with the characters.

After the jump you can see a behind-the-scenes look at the music from the film, mainly focused on Waits, but also revealing footage from initial discussions about the project, and how the music came together. It might sound old-hat in a world where we are saturated by DVDs with special features, but I love seeing the old process -- minds coming together in the back yard for a "musical summit," how each piece of a film can be so carefully plotted, and the utter strangeness of seeing someone like Gayle collaborating with Waits.

In the 2007 awards season, Fox Searchlight had two strong films in the mix with Juno and The Savages, and then in 2008, they dominated with Slumdog Millionaire and The Wrestler. As many other indie arms were folding (Paramount Vantage, Warner Independent, Picturehouse), Searchlight managed to keep things up on their end.

2009, however, hasn't been so kind to them. January's Notorious didn't do bad actually, though March's Miss March was indeed D.O.A. June's My Life in Ruins similarly underperformed, while July's Adam failed to catch on as that same month's (500) Days of Summer had. Post Grad was dumped in the doldrums of August, while Whip It failed to find a crowd in October.

Cut to now: Amelia has been effectively neutered as a ready-made Oscar contender, while Gentlemen Broncos (from the director of Napoleon Dynamite, which did particularly well for the same studio) is being pulled from wider release after this weekend after posting modest numbers on two screens and earning savage reviews for the most part.

With Miramax also facing tough times, it's a shame to see studios like these have an off-year, though there's time for a turn-around yet so far as Searchlight is concerned. Summer's summer release means the timing could work out to earn a push for Original Screenplay as a happy-go-lucky alternate to many dour contenders. This month's similarly light Fantastic Mr. Fox is an Animated Feature candidate at the very least, and -- according to THR -- the Jeff Bridges drama Crazy Heart is getting a last-minute test run of sorts at the moment to see if it can merit a move to be positioned for this year's race instead of next year's.

We are now in the age of the 20-year-old sequel. Indiana Jones and the Kingdom of the Crystal Skull, Wall Street 2, Who Framed Roger Rabbit?, Beverly Hills Hop 4, The Untouchables: Capone Rising. It hasn't been "too long," it isn't awkward to go back. It'll make you feel young again! Now we've reached the pinnacle of past grabs, as WENN is reporting that Steve Guttenberg, Tom Selleck, and Ted Danson are reuniting for Three Men and a Bride.

"Disney's developing Three Men and a Bride. That's going to be a smash. A smash hit. They're bringing everybody back for that," says Guttenberg. "Nobody knows about it. I'm the first to talk about it."

Guttenberg might just become king of the It's Never To Late To Return! movement, as he dreams of reviving all of his past franchises. "It's definitely time for another Police Academy. And I think they could make another Cocoon. They're surefire hits and I think they're good for the world. They make the world a better place and that's what it's all about." Hopefully, he's not setting his hopes on reviving Short Circuit, as that has become someone else's dream to live. But I think there were a lot of unanswered questions about The Day After, and nothing's trendier than the apocalypse. It's only been twenty-five years ....

Once upon a time here on Cinematical (actually, it was a mere year ago), I pondered whether you could ever be too attractive to be believable. I reasoned that it was a bit silly to argue that Angelina Jolie was too pretty to be the mother of a kidnapped child, because good looks doesn't equal good luck. But I might have to change my thesis for Patrick Dempsey. According to The Hollywood Reporter, Dempsey is teaming up with Jon Lucas and Scott Moore (aka "The Hangover Team") for an untitled bank heist comedy.

Dempsey will play an ordinary man who wanders into his bank branch for a deposit or a withdrawal, and winds up being caught in a robbery. Actually, it's not just one robbery but two occurring at the same bank and at the same time. (If this bank isn't in Gotham City and this stick-up isn't being overseen by the Joker, I'm disappointed already.) But the real kicker is that he is secretly in love with his bank teller, and was just getting up the guts to ask her out when the robberies happened. Now, he's forced to protect her and hope she'll say yes to dinner and a movie if they make it out alive.

Now, I know good looking guys can be shy. But this is like slapping thick glasses on Amanda Seyfried and expecting us to buy that she's unattractive. If he's a regular customer to that teller window, chances are she counts the minutes until he shows up with another deposit, and works frantically to maintain her lipstick in between. She's been hinting every time that she's single and looking. So unless Dempsey's character has been living in a cave (and maybe there's more twists and turns that he has) which has caused him to be socially inept, there's no excusing such awkwardness.

Once you've made emotional mincemeat out of legions of adoring young girls, what's next? How do you transcend tweendom and seduce the seas of adult women (Twilight moms not included)? Bedding Nicole Kidman is a start. Screen Daily reports that Robert Pattinson and Kidman have signed on to star in an adaptation of Guy De Maupassant's Bel Ami. Adapted by Rachel Bennette, the film will be directed by Declan Donnellan and Nick Ormerod.

Published in 1885, Bel Ami is an erotic tale of journalist Georges Duroy and how he sleeps his way to the top of Parisian high society. After a few years of military service in Algeria, Duroy works as a clerk in Paris until he becomes a journalist, aided by Mme Forestier (presumably Kidman). She helps write his first articles, he works his way up to chief editor, and she uses her political connections to get him the information he needs, which also leads him to his own network of increasing power. Bit by bit, he sleeps with influential women, using his loins to work his way to the top.

If you've seen Little Ashes, this is just wiping away the Dali quirks and throwing Pattinson into a Parisian life roughly 25 years earlier -- which wasn't quite the visual and social jump then as it is now. And while I wonder why Kidman so often gets cast opposite young males (at least this one's of age!), it's not hard to imagine a retro world of Parisian enticement with Pattinson and Kidman at the center of it.

Production begins this February in London and Budapest.

The 20th Anniversary Edition Blu-ray and DVD of Say Anything came out yesterday, and to mark the occasion, numerous men with lots of free time dressed up in trench coats and hoisted boomboxes above their heads and marched throughout New York City serenading people with the strains of Peter Gabriel's "In Your Eyes," and a cover version of the same song by The Lloyd Dobler Effect. Check them out in the gallery below.

Damn, that movie came out 20 years ago? That makes me feel incredibly old. The first time I saw that movie will be forever burned into my brain since it was my first and only date with the captain of the women's volleyball team in high school. However, the movie on Blu-ray looks better than it ever did back in theaters, circa 1989, and hopefully it'll inspire legions of Lloyd Dobler fans for years to come that will fare better than I did.

The Blu-ray version of the movie is a 1080p high-definition upgrade of the original DVD release from 2002, along with a newly remastered 5.1 audio mix. In addition to the upgraded image and sound, this includes all the features from the previous version (commentary from Cameron Crowe, John Cusack, Ione Skye, deleted scenes, and more), along with three new featurettes. The best of the bunch is "An Iconic Film Revisited: Say Anything... 20 Years Later" featuring new interviews with Crowe, Cusack, Skye, John Mahoney, and Nancy Wilson.

Not too long ago, Katie Holmes was the one getting ousted. After romancing Bruce Wayne in Batman Begins, she was set aside so Maggie Gyllenhaal could whip up a much more spot-on Rachel Dawes. Now it's her time to take over a role. It might not be part of a well-established franchise, but Variety reports that Holmes will be replacing Liv Tyler in the romantic comedy The Romantics.

As I wrote when Tyler signed on for the project, this film sees Galt Niederhoffer adapting and directing from her own novel, which focuses on a group of college friends who reunite after 6 years for a wedding. The event brings up a rivalry between the groom, the bride, and her maid of honor. Anna Paquin is playing the bride, Josh Duhamel is the groom, and Holmes is stepping in as maid of honor. (Other cast include Malin Akerman, Elijah Wood, Adam Brody, and Jeremy Strong.)

Since its "thin stereotypes" seem to trump the Big Chill feel to the plot, this could very possibly mark another not-so-good turn for the actress. After her 3-year hiatus post-bats and Smoking, Holmes decided Mad Money was the way to go, and we all know that was a crappy choice. But she seems to really like this gig -- Holmes is not only co-starring, she's also executive producing (her first time). Yet, for someone trying to find her place in her adult career, I'm surprised she isn't finding more on the gritty or less mainstreamish end of the indie world. The comedies with recognizable names -- they never seem to do her well. But the drama and dramedy ... ice storms, nights with drug dealers, gifts, singing detectives, Thanksgiving dinners, and smoking are the times she's gotten a solid reception. Will this project get included on the above list? I'm not holding my breath.

While Morgan Freeman has dabbled in comedy in his long and illustrious career, I don't think he's ever really gotten a chance to really cut loose. He certainly hasn't gotten to play in the raunchy end of the pool, but it sounds as though he's taking the leap in Dirty Old Men. The Hollywood Reporter says that he's attached to star as an aging playboy in the tentatively titled project, and we'll either be laughing or horribly traumatized by his efforts.

Men was penned by Josh Cagan and Greg Coolidge, and is said to be similar in tone to The Wedding Crashers and The 40 Year Old Virgin. It centers on two aging playboys who have been each other's wingmen for over 40 years. One of them meets the love of his life, leaving the other (played by Freeman) to chase skirts on his own. Well, that just won't do. The lonely playboy does everything he can to break up the new couple. I will bet money there's at least one I-hid-the-Viagra scenario. No, I don't like to think about it.

Peter Segal is in talks to direct, and the hunt is on for the playboy-husband-to-be. Warner Bros is hoping Jack Nicholson will take the part and reteam with his Bucket List buddy. But if he turns it down, may I humbly suggest they look to Freeman's real life wingman, Clint Eastwood? If Viagra jokes must be made, let them be the two that make them.