If you squint your eyes just right and look at a photo of the late comedian Bill Hicks, he kind of resembles a young Russell Crowe (or vice versa). So, it would have been really cool if the Australian actor had played Hicks around ten years ago, when he was still in his 30s. But if we've learned anything from Kevin Spacey and Mike Myers (respectively, star of the Bobby Darin biopic Beyond the Sea and star of an upcoming Keith Moon biopic titled See Me Feel Me), you're never too old to play an icon who died young, and therefore we must accept the fact that at close to 50 years old, Crowe is likely to portray Hicks, who died from cancer at age 32. Fortunately for Crowe, he's good enough that it shouldn't be too hard to believe such a portrayal.

The Oscar-winning actor is quoted in The Sydney Morning Herald saying he's involved with a Hicks bio, "which is going from treatment to draft stage with Kiwi writer Mark Staufer." Never mind that the quote doesn't sound like it was actually spoken by anyone, let alone Crowe, the article is mostly about how the actor is spending time with his family now that Ridley Scott's Nottingham has been postponed. Crowe also references other projects, including an unnamed documentary and the surfing gang movie My Brother's Keeper, based on the documentary Bra Boys, which Crowe narrated. Stuart Beattie, who co-wrote the doc, is currently working on a second draft of its adaptation.

At the end of July, we shared the poster premiere of The Secret Life of Bees. Now you can check out the trailer for the film above, courtesy of Trailer Addict.

This is the Dakota Fanning-starring film about a young girl haunted by the memory of her late mother. With her caregiver Rosaleen (Jennifer Hudson), she runs off to a South Carolina town and is taken in by the Boatwright sisters (Queen Latifah, Alicia Keys, and Sophie Okonedo), who teach her the comforts of beekeeping and honey. Unfortunately, the girl's troubled past, in the form of father Paul Bettany, finds her.

While the poster was a little sappy (or perhaps "honey" is the best word in this case) for my tastes, the trailer has a nice amount of sass mixed into the drama, as well as a great one-breath sentence uttered by Fanning. I think I just might have to see this film, which will hit screens on October 17. What about you?

Suffering from the Hollywood blockbuster blues? Have I got some indies for you! All three are newly available this week on DVD.

Kim Voynar called Vadim Perelman's The Life Before Her Eyes "a lovely, nuanced film packed with imagery, and bracketed by an intriguing storyline." The story revolves around the survivor of a school shooting; Uma Thurman plays her as an adult and Evan Rachel Wood as a teenager. Kim wrote in part: "I'd expect the director's commentary on the DVD to be intriguing." The DVD does indeed feature an audio commentary by the director, joined by production designer Maia Javan. Also included are deleted scenes, an alternate ending, and several other mini-features. A Blu-ray edition is also available.

Kim also reviewed Tommy O'Haver's An American Crime when it debuted at Sundance last year. Based on the true tragedy of teenage Sylvia Likens (Ellen Page) who was "brutally beaten, burned, starved and tortured to death" in 1965 Indiana, Kim said the film was difficult to watch. "The real question ... is not just how the Sylvia Likens case could have happened, but why situations like this happen at all -- and still do." Catherine Keener and James Franco also star. The DVD doesn't appear to have any supplemental material.

On the lighter side, Bharat Nalluri's Miss Pettigrew Lives For a Day "is a nearly perfect piece of entertainment for grownups," according to James Rocchi. Frances McDormand plays a down-on-her-luck British governess and Amy Adams essays her employer, an American singer / actress in late 1930s London. The DVD includes a "making of," deleted scenes, and "Miss Pettigrew's Long Trip to Hollywood."

Things rarely go smoothly for costumed adventurers -- and the courtroom, it seems, is no exception. Nikke Finke reports that a federal judge has denied to dismiss 20th Century Fox's legal claim on Watchmen. You may remember that they filed a lawsuit back in February claiming that their rights to the DC property still held. They seek an injunction to prevent Warner Bros' adaptation of Watchmen from being released at all.
And at this point, that federal judge agrees with them.

Warner Bros, obviously, cries foul. They point out that several studios have tried to develop the property for years, with Fox saying nary a word, and passed up the chance to properly reacquire the rights some time back. Their view of the lawsuit is that it's just an opportunistic grab on a movie that has been gaining more and more buzz. You can read the whole legal chronology over on Deadline Hollywood (Finke's done a top-notch job of documenting the ins and outs) and see which side you come down on. It's exhausting -- isn't this what studios have lawyers for? To avoid this kind of last-minute litigation lunacy?

It's unlikely that the movie will really be delayed -- but it is possible that Warner Bros. will have to hand Fox a substantial chunk of change in order to release the film, as they had to do for Dukes of Hazzard some years back. As one of Finke's readers noted, suddenly the Harry Potter and the Half Blood Prince schedule shift makes a lot more sense. The studio's 2009 budget could be pretty tight.

Watchmen opens (hopefully) March 6th, 2009.

Here's a few Vegas-themed Monday nibblets:

• All the way back in 2006, there was news that New Line had grabbed Burt Dickenson: The Most Powerful Magician on Planet Earth. Set in Vegas, the comedy was said to focus on rival magicians and how one of the magic men's partners dies, leaving his ex to "find a way to rediscover his love for magic." Well, it's not quite ready for the camera yet, and The Hollywood Reporter posts that Freaks and Geeks and Bones actor John Francis Daley is going to whip up a rewrite with Jonathan Goldstein. Now the plot is being described as the tale of "a big-time Las Vegas illusionist whose preeminence is threatened by a younger 'extreme magician.'" Whatever the film ends up being, hopefully it won't take another 2 years to get a step further. And hopefully it will be better than The Illusionist.
  
• Meanwhile, Variety reports that a feature on the first desegregated hotel and casino in Vegas, the Moulin Rouge, is in development. Titled The Fabulous Moulin Rouge, and penned by Milosz Feigin, the film will center on "a fictional African-American character who rises from mob debt collector to manager of the Moulin Rouge." It should be a pretty interesting production. A replica of the 1955 casino is getting built in Dubai, where the film will be shot late next year, and the casino itself might have attracted performers like Nat King Cole and Frank Sinatra, but closed a mere 6 months after opening.
  

The French are at it again! After last month's unexpected breakout success of French thriller Tell No One, surely it's no surprise that French thriller A Girl Cut in Two opened on top, grossing $9,750 per screens at the two theaters in New York where it opened, according to Box Office Mojo. Claude Chabrol's latest (and perhaps last) has delighted critics, including our own Jeffrey M. Anderson ("superbly made ... highly enjoyable").

Amidst a hailstorm of reviews, interviews, and offers of threesomes, Woody Allen's Vicky Christina Barcelona debuted to $5,361 per-screen at 692 engagements, while would-be inspirational drama Henry Poole is Here failed to inspire much box office, drawing just $1,518 per screen at 527 theaters. People were evidently more interested in sin than salvation this weekend.

Two films in their second week of release continued to draw well, with literary adaptation Elegy scoring $9,000 per screen at six locations and music doc Patti Smith: Dream of Life drawing $7,000 at its sole Manhattan engagement. Meanwhile, the quiet thriller Frozen River saw an uptick in business as it expanded to 15 theaters in its third week of release, earning $4,086 per screen.

American Teen withered on the vine in its fourth week, its per-screen average shrinking to $980 as it further expanded into 105 theaters, with a cumulative total of $656,000. Brideshead Revisited slowed to $1,489 per screen during its expansion into 501 theaters, though its total has passed $4.6 million.

Unfortunately, I did not manage to catch this extended TV spot for The Curious Case of Benjamin Button during NBC's Olympic coverage, though, luckily, one person did. I imagine this will eventually become the film's second trailer, and it'll hopefully arrive online in a higher quality at some point this week, but for the time being you can scope out a somewhat decent (except for the annoying beeps here and there) video of the spot above (courtesy of The Tube).

Some of what's included here is also in the film's first trailer (catch that in HD on the flick's official website), but we also have a bunch more dialogue, tons of amazing visuals and .... well, watch for yourself. While you never know what the final product will deliver, I can say this film is showing some tremendous, buzz-worthy promise right now -- especially with a director like David Fincher and a cast that includes Brad Pitt and Cate Blanchett (last time these two shared the screen, Babel was nominated for seven Oscars). Needless to say, I'm preemptively putting this on my top ten list for 2008 and crossing my fingers at the same time.

The Curious Case of Benjamin Button arrives in theaters on December 19.

A few days ago it was confirmed that Steven Spielberg was putting The Trial of The Chicago 7 on the back burner to work on Tintin full-time. But despite earlier reports that Paul Greengrass had been chosen to take over, it looks like Chicago 7 is still without a director. According to CHUD, they contacted Greengrass and he confirmed that while he thinks it's a 'wonderful project,' and he had considered it; the timing just wasn't right -- and something tells me that a certain spy flick might have taken priority.

The trial of the so-called 'Chicago 7' (eight, if you want to be a stickler for details) was one of the defining moments of the 60's counterculture movement. During the '68 Democratic convention eight people (including the infamous Abbie Hoffman and Black Panther, Bobby Seale) were arrested for inciting a riot and conspiracy. The trial was recently made famous in the documentary, Chicago 10, and according to earlier reports, Sorkin's script is loosely based on Brett Morgen's animated doc.

Erik brought us some casting news earlier in the year, but it seems like nothing is written in stone when it comes to this movie. Spielberg has packed his slate for the coming year, but if I had to choose from his upcoming projects, I would have loved to see him tackle this story (not to mention getting his hands on an Aaron Sorkin script).

Sound off below on who you would like to see take the reigns for The Chicago 7, that is if it ever gets made...

A few news bites for the end of the week:

• Gregory Smith, who played one of the Stantons in The Seeker: The Dark is Rising, has picked up a starring gig, according to Variety. He will lead the indie drama In My Pocket, which will be the directorial debut of David Lisle Johnson III from a script he co-wrote with Joseph Ferrugio. The film will follow the travails of addiction and focus on two young men -- one is the good guy set for med school who fails out because of his addiction, while the other is a guitarist for a rock band who gets replaced. And for you Empire Records fans out there, Brendan Sexton III (Warren) also has a role.
• Meanwhile... Kenneth Lonergan, scribe of Analyze That and Gangs of New York, is getting ready for a celebration. The Hollywood Reporter posts that he has signed on to pen the screenplay for Father's Day -- that flick that Ashton Kutcher is producing. The plan is to make the film "a multigenerational look at fatherhood, centering around a father and son who have never gotten along but who coincidentally have baby sons at the same time." It's certainly not the most original premise out there, but we'll see if this can become this generation's Parenthood.

Music plays a vital role in nearly every film, but for these five it's of particular importance.

Nick and Norah's Infinite Playlist
Michael Cera has become the go-to guy for filmmakers looking to cast a romantically befuddled teen, and I have to say he's pretty darn good at it. Whether he's mooning over the best friend that he's recently impregnated (Juno) or harboring a forbidden affection for his cousin (Arrested Development), you can't help rooting for the little perv. This time out he's playing an angst ridden kid nursing a broken heart who finds himself falling for his new acquaintance Norah as the two spend a hectic night in New York City trying to find the location of a secret gig their favorite band is playing. The story is only of moderate interest, but Cera's presence has me wanting to check out the movie. Here's William's take on the trailer.

Beer For My Horses
The eye-catching title comes from a Toby Keith song. Keith is starring in and co-writing this action comedy about a Texas deputy who has to rescue his girlfriend from a dangerous drug lord. Willie Nelson puts in an appearance, apparently as a Yoda-style adviser to our hero. At first I suspected something along the lines of a Larry the Cable Guy movie, and while this is still no Oscar contender, I can see where it might make for entertaining viewing once it hits DVD. I even found myself chuckling at the "peeing in the coffee" joke despite myself.