Cinematical

Teen icon Miley Cyrus can't do anything these days without causing a stir of some kind. The only thing I can't figure out is if she does it on purpose or just has a bad case of her mouth running away with her. During a recent backstage interview with the singer/actress, Cyrus was asked the defining question of our generation: "Team Edward or Team Jacob?" Well, it turns out the answer is neither, and she told journalists, "I've never seen [Twilight], nor will I. I don't believe in it. I don't like vampires, I don't like the wolf that pops out of the screen when I'm watching TV at night, I don't want anything to do with it." (Oh snap! There's going to be a tween-off. Just think, it will be like West Side Story but with glitter and blond wigs!) Personally, I think she was trying to make a joke, and if she was, her comedy skills definitely need a little work.

Now, the cynic in me would mark the fact that this latest headline to spring from the tween sensation is just in time for the release of the trailer of her new romantic weepie, The Last Song. So what better way to get teen girls' attention than to bad-mouth their hunk(s) of the moment? Last Song stars Cyrus as a piano prodigy reconnecting with her father (played by Greg Kinnear) and falling in love, but this is a Nicholas Sparks story, so I can only assume somebody is going to die or get a horrible disease before the flick is through. The film is Cyrus' latest attempt to shed her Hannah Montana image and was the next step in becoming a serious actress. But now we'll have to see if she lives long enough to avoid a Cullen-inspired vendetta.

After the jump: the trailer for The Last Song and Cyrus' take on Twilight...

I may not be the biggest devotee of movie musicals, but I've been keeping an eye on Rob Marshall's adaptation of Nine (the Tony Award-winning musical) since the production was first announced back in 2007. The thought of some of the coolest chicks in Hollywood with Daniel Day Lewis in a musical about 8 1/2? Well, count me in. Despite early casting changes and rumblings about Lewis' singing abilities, I've held out hope for the flick, and now that the film's Christmas release date is a little over a month away the early reviews are trickling in. First up is AICN who scored an early review from a source going by the name of Tobby (You can read the entire review over there, but be warned, it's a little spoilery)

So let's start with the good news: according to this review, the film is pretty darn good. The reviewer had nothing but praise for Marion Cotillard as Lewis' wife, and even Fergie gets some love as the prostitute, Saraghina. As for Lewis in the role of the troubled director Guido Contini, it turns out those rumors of his lack of singing ability were just rumors, and he makes out pretty good in the review for the limited singing he does in the film (two songs) -- and I think we all knew his acting was never going to be the problem.

Of course, the film is far from perfect and there are some rough patches according to this reviewier. Most of the scorn was directed towards Nicole Kidman's performance as Contini's muse, and unfortunately one of the other problems with the film is Kate Hudson (who plays an American Vogue reporter) in what was described as a throwaway role. Bad timing, perhaps, now that Hudson's musical number, Cinema Italiano, is the bulk of the latest trailer for the film.

After the jump: Hudson's Go-Go debut and a musical layman's review of Cinema Italiano...

It's no secret that video retailer Blockbuster had a rough quarter. Their profits are dipping, stores are closing -- suffice to say things aren't looking good. But, the company is looking for new ways to compete with services like Netflix and Redbox and so they're getting into the digital content game. But, as some critics have pointed out, the results so far are lackluster to say the least. Blockbuster and NRC/MOD systems have announced the pilot of digital media kiosks where customers use an SD memory card to download movies and TV to take home to play on their TV with the aid of a proprietary device (provided to participants of the trial). But the kicker has to be that the content would be DRM protected and customers pay $1.99 for a movie that must be viewed within 30 days and is only viewable for 48 hours.

The digital download service is just the latest in Blockbuster's new strategy to hold on to customers by offering something other than the brick and mortar experience. Some of their other ideas have included DVD subscription services and DVD kiosks. Blockbuster is hoping these new services could reduce the effect that illegal downloading has cost their bottom line as well as open them up to new tech-savvy customers. I understand that Blockbuster needs to fight off the pirates like everybody else, but I doubt that products bogged down with DRM are going to persuade your average pirate to go legit. But on the upside, at least Blockbuster's latest scheme would mean that there's nothing to return, and you don't have to deal with receiving damaged or scratched discs -- but in the grand scheme of things, that ain't much.

If Blockbuster wants to live to fight another day, I think they are going to have to come up with something a lot better than this, don't you?

Sometimes there's a down side to being considered a comedic genius. Right now in the world of TV comedy, Tina Fey and Steve Carell are the 'Prom Queen and King', and with all that popularity comes the price of raised expectations. The couples comedy Date Night, starring Fey and Carell as a married couple looking to spice up their romance, was bound to be scrutinized. So now that the first trailer has arrived (via Apple), reactions have been mixed. But I think there's hope for this film, if for no other reason than the fact that Fey and Carell are some of the most talented comedians working right now (although I'm still holding out for Fey to start writing some more movies of her own).

Date Night was directed by Shawn Levy (of Night at The Museum fame) and written by Josh Klausner, who only has a couple of credits as a writer (mainly for Shrek films). But Klausner has also worked with the Farrelly brothers, so he must know his way around a joke, right? I guess that's why I'm willing to give Date Night the benefit of the doubt, because on paper, all the elements are there for a good comedy -- the least of which is a strong supporting cast of funny folks like James Franco, Mila Kunis, Jason Segel, and Kristen Wiig. Maybe I'm grasping at straws, but the film has also yet to be rated, so there's always a chance the funnier bits weren't 'ready for prime time'.

So watch the trailer and tell me what you think. Am I just kidding myself, or is there a chance that Date Night will surprise us all and turn out to be a pretty funny flick?

Watch the trailer after the jump...

I have to tell you that this installment of Scenes We Love was a close one, because the more I searched for the scene in question from A Nightmare on Elm Street Part 4: The Dream Master, the more I realized that it was a pretty terrible movie. The fourth installment of the horror franchise saw Freddy looking for some fresh meat after he had worked his way through the original "Elm Street brats". But like I said, this is about the song as well as the movie, so Dream Master (despite it's failings) lived to earn its very own Songs We Love thanks to "Anything, Anything", by Dramarama.

Now, no one would blame you if the name isn't ringing a bell, but Dramarama was an LA-based power pop band that made some inroads to fame before fading into obscurity in the early 90's -- with the exception of an appearance on a VH1 reality show, which seems to be the fate of most 80's bands. The song was used during a scene in which one of our young victims is practicing a martial art that will be utterly useless against Freddie, but one look at Andras Jones as Rick Johnson and this 13-year-old was in love (although I chose to overlook the Karate Kid headband). So even though "Anything, Anything" never really became a huge hit for the band, according to legend it is still one of "the most requested songs in KROQ [LA Radio] history" -- which I guess means I'm not the only one with fond memories of this tune.

After the jump: Dramarama's contribution to the Canon of Freddie...

The battle of the sexes is alive and well in Hollywood, and whether it is the subject of a rom-com or an indie flick, audiences love to watch a good ol' fashioned throw down. But what makes a 'battle of the sexes' comedy a tricky proposition is that someone has to lose. So how do you make your audience (who is for the most part, female) accept the idea that a strong and feisty gal has learned the error of her ways and has 'surrendered to love''? Granted, it was a heck of a lot easier when they were making these movies in the '30s and '40s and marriage was the inevitable 'happy ending' for most gals.

Today, The Ugly Truth has been released on DVD and just like a million films to go before it, the story centers on a man and a woman who 'meet cute', fight a lot, and then fall in love -- and just like every other film, the whole thing hinges on the happy couple. When you're covering well trod ground like a battle of the sexes comedy, the charm and likability of your leads are your bread and butter -- and on a personal note, I just don't think Truth pulled it off, and I never got that charge from watching Katherine Heigl and Gerard Butler engage in a little 'verbal foreplay'.

So at risk of sounding like somebody's grandmother, I decided that when it comes to the battle of the sexes comedy, nobody did it better than classic Hollywood, and it didn't matter whether it was during the hay day of screwball comedies or gritty films noir. That's why this Cinematical Seven is dedicated to those classic Hollywood couples that could battle with the best of them, but unlike Heigl and Butler, their chemistry became the stuff of movie legend.

After the jump; seven classic couples that are all-time champs when it comes to the battle of the sexes....

If you are the type of person who likes to get their Christmas shopping done early, I've got some good news for you, because now is your chance to buy some seriously cheap DVDs. Variety is reporting that the online stores for Walmart, Target, and Amazon, have gotten into a DVD pricing war and passing those savings on to you. But don't worry, these aren't your usual discount bin selections, instead, big name titles like Star Trek, Night and The Museum 2, and Harry Potter and the Half-Blood Prince will be going for the low price of only $10 each.

It all started when Walmart announced last Thursday that they would be offering titles like Angels & Demons, Julie & Julia, and Terminator: Salvation at a lower price (but you were only guaranteed the discount price if you shopped online). The reason for the discount according to Walmart was to, "help families holiday shop during this difficult economic environment.", but most have just speculated that the retailer was suffering online and this sale is just the latest attempt to drum up flagging business.

It didn't take long before Target and Amazon jumped into the fray and now an all out 'pricing war' has begun between the three retailers. But before you get too excited, keep in mind that this isn't a shift to a new price scale for DVDs, and the discount is simply to drive new customers to shop online. Prices are expected to go back to normal by the time these titles go into wide release later this month -- so if you love a bargain, you're going to need to act fast.

Most of us know our favorite movies by heart, and we can quote dialog (although not always accurately), describe a scene down to its last detail, or even recount production history if we are particularly geek-minded about it. When movies are a big part of your life, the attention to detail can become downright obsessive, but as we all know, a movie is really just a sum of its parts. Paul Rogers, an illustrator who works at the California Art Center College has taken those separate parts and devised a clever little game of Name that Movie on his blog, Drawger. Rogers' game takes some of our favorite flicks and breaks them down into six drawings, and covers the gamut of Hollywood classics old and new. So if you are a fan of Pictionary and showing off your movie knowledge, this is definitely the game for you.

Now I don't want to brag, but I did manage to guess most of Rogers' selections -- although I am honest enough to admit that I didn't get a perfect score. There were a few that, frankly, I wouldn't even know where to begin. But it did remind me how those iconic images can work their way into your brain, and when all you need to see is an ink drawing of Big Kahuna soda cup and you can almost hear Samuel L. Jackson exclaim "That is a tasty burger."

Watch enough movies and you learn pretty fast that they aren't about reality, they're about entertaining us. Which sometimes makes the world of the biopic a little tricky, because not only do you have to work in the truth, but you still have to keep those butts in the seats -- and the results are not always good. Over at Moviefone they've compiled some of the worst movie biopics, and no one was safe -- with films earning a spot for mixing up their facts, ridiculous casting, or just downright lazy filmmaking.

So who made the list? Well, you've got your usual suspects like Oliver Stone's Alexander, a film that has so much wrong with it I don't know where to put the blame (oh, that's right, on everyone). Other films that made the cut for the less than flattering title of 'Real Life Catastrophes' were Kevin Spacey's Bobby Darin flick, Beyond The Sea, Luc Besson's The Messenger, and Alan Parker's Evita. But don't think the classics made it out unscathed either, because both Captain Eddie and The Babe Ruth Story also earned a mention.

As a genre, I love biopics -- especially the bad ones. I've watched everything from made-for-TV movies on The Beach Boys to high art flicks like I'm Not There. So no matter what kind of biopic it might be, I will usually give it a chance. Over the years, I've seen movies that bend the truth and those that just mess it up entirely, but that doesn't mean I didn't enjoy them. Besides, if you're looking for unadulterated facts, you should probably head to the library and not the multiplex.

After the jump: five of my favorite movie biopics...

Now that most of us acquire our music online these days, radio DJs don't have the same sway as taste-makers that they used to. But in the '70s, the final word in rock music was Rodney Bigenheimer. In George Hickenlooper's 2003 documentary about the infamous DJ and rock music icon, Mayor of Sunset Strip, we are shown Bigenheimer as an awkward and strange little fellow who, in the end, did it all for the music. Now, thanks to the nice folks at SlashControl you can now watch the documentary as one of their collection of (pretty awesome) free movies.

You wouldn't know it to look at him, but Bigenheimer was one of the biggest names in the rock music scene, and was credited with helping to break bands like The Sex Pistols, The Clash, Nirvana, and even Coldplay. Bigenheimer has been relegated to the 'graveyard shift' these days at KROQ, but considering that Hickenlooper was able to get appearances from some of the biggest names in rock (everyone from Mick Jagger to Rob Zombie) you can't deny Bigenheimer still has some clout.

Hickenlooper's film is more than just a walk down music history lane. It also manages to show you someone who truly loves the music, and maybe it's a little sad that it never quite loved him back. But this documentary reminds us that his legend lives on -- you might even remember a certain homage to Bigenheimer in Cameron Crowe's rock n' roll tale, Almost Famous when he works in one of Rodney's famous quotes "It's all happening!", and during the 'Mayor's' reign at KROQ, it really was...

Watch The Mayor of Sunset Strip at SlashControl